What is particularly striking about the pieces is the technical ability of the artists, the fine delicate brushstrokes of Yun-Kyung Jeong and the draftsmanship of Ross Jones mark a return to artistry without resorting to the decorative; the political overtones in Ross Jones's deserted cityscapes, for instance, are crystal clear.
Amah-Rose McKnight-Abrams on the In A Word exhibition, Dazed Digital, June 2009
Jackie Wullschlager, Financial Times, May 2011